Introduction to hanafuda cards

Hanafuda are a deck of traditional playing cards originating in Japan. The deck is used to play a number of games, mostly similar in style, that are also referred to as hanafuda. "Hanafuda" means "flower cards" in Japanese ( 花札 ) and the cards illustrate flowers and animals seen as iconic in Japanese culture.
Though, these days, with the advent of video and computer games, playing hanafuda has certainly declined, the games are still played by older people and as a traditional New Year family activity. Being rumoured to be a favourite game of the Yakuza (Japanese organised crime members) hasn't helped hanafuda's popularity among the more strait-laced.
In modern times, the two most popular games played with the cards in Japan are koi-koi and hana-awase. Meanwhile, a hardcore of cerebral traditionalists play hachi-hachi. Hanafuda is also played in South Korea and in the state of Hawaii. In South Korea, the cards are called hwatu ( 화투 ); one of the most common hwatu games is go-stop (also called godori ). In Hawaii, there is Hawaiian-style koi-koi (sakura, also known as higobana).
What follows is mostly about the cards, their groupings, their imagery. What I am not doing is cataloguing the seemingly endless game variants which seem to exist. It is not an exaggeration to say that almost every ruleset one comes across, even for nominally the same game, is different. I do wonder what chaos the game of chess, for example, would be in with this dissimilitude of play. Anyhow...
The cards themselves are a lot smaller than Western playing cards, being just 33mm wide by 54mm high or thereabouts. Various materials are used in construction, including pasteboard (thin sheets of paper laminated into board), simple cut card, and printed plastic. Please see the section below, Types of cards and where to get your own pack, for more details of construction.

History

In the 1630s under the Tokugawa shogunate, Japan largely closed its doors to the rest of the world, fearing that foreign influences would undermine the country and lead to violent trouble and wars. Nationals were not allowed out, and foreigners – other than for limited trading purposes – were not allowed in. Prior to the start of this 200+ years sakoku ("locked country") isolationist policy, Japan had done extensive trade with Portugal. Amongst other things that Portuguese sailors brought with them were Western playing cards.
Around 1790, a new set of rules called the Kansei Reforms were by introduced by Matsudaira Sadanobu, the shogun's chief counsellor, in an attempt to reverse the financial fortunes and perceived sinking morality of the Tokugawa government. One of the resultant prohibitions included the Portuguese playing cards which, due to the sakoku policy, were by now locked into Japanese culture. To circumvent the ban, decks of cards were created with new designs. The authorities then proceeded to explicitly ban each new type of cards in turn, thus precipitating yet more changes, usually increasingly abstract. An alternative was to overlay an existing design with chronically thick and clumsy obfuscations.
Previously, at least as early as the beginning of the 1700s, a graceful and beautiful flower-matching game called hana-awase had appeared (also, confusingly, the name of a modern game played with a regular 48-card hanafuda deck). According to legend, hana-awase had been invented by a priest in the shogunate castle at Edo as a pastime for women and girls of the samurai class. At this point, the pack was 400 cards strong, with four cards in each of 100 (!) suits. By a few decades later (probably during Kyoho era, 1716-36), a variant appeared where the number of suits had been reduced to 12, each of four cards, thus forming the 48-card hanafuda we know today. It seems highly likely that this restructuring was specifically to facilitate the deck's usage for gambling.
The Kansei Reforms were exactly the shot in the arm that hanafuda needed to join the collection of the other "camouflaged" card-gambling games. After all, how could anyone be gambling with pretty cards with no pips and, instead, pictures of flowers?
Sale of the cards was assumed to be banned until 1886, when an entrepreneur, Maeda Kihei, opened a shop in Tokyo with the intention of testing whether the mere sale of the cards (versus gambling with them) was still considered illegal. The authorities took no action and Kihei's store became the first outlet to openly sell hanafuda.
At this point, hanafuda were largely handcrafted deck by deck, and a relatively expensive product. Even so, competition was fierce and dozens of card-makers sprung up. Some actually part-paid their women workers with their own results – 20 packs for each batch of 100 they made. The workers received the worst-finished 20 packs in each batch – a system guaranteed to keep up the manufacturing quality!
Nintendo hanafuda deck and box
Full hanafuda deck layout
Tanzaku ribbons on treeIn 1889, as part of this renaissance of hanafuda, Fusajiro Yamauchi founded Nintendo for the purposes of producing and selling cards at an affordable price, and streamlined many of the manufacturing processes. Today, despite its focus on video games, Nintendo still produces hanafuda. Without there being any official authority over hanafuda cards and the games played with them (unlike, say, with chess or poker), Nintendo seems to have become the de facto "keeper of the flame". Despite this, as I said above, there is an annoying lack of sets of "official" rules, even from Nintendo.
Trendy marketing forces inevitably moved into the hanafuda arena and the classic packs were joined by themed decks. Recent times have seen Super Mario Hanafuda, Moon Rabbit Hanafuda, Snoopy Hanafuda, Star Wars Hanauda, Hello Kitty Hanafuda, Ultraman Hanafuda, Dragon Quest Hanafuda, Godzilla Hanafuda, Pokemon Hanafuda, Spirited Away Hanafuda, Moomin Hanafuda and Disney Hanafuda, amongst others. Custom hanafuda decks are a popular choice for home and small-business art projects and some excellent designs have been produced for the likes of Kickstarter.

Make-up of the deck

[Note: Historically, there have been assorted variations on the hanafuda pattern, most of them region-specific and all of them pretty much dead (apart from a few expensive collectors' reproductions). The information below concerns modern "vanilla" production decks which tend to have settled into a reasonably consistent pattern known as hachihachibana, but a few interesting/odd features of older designs are mentioned en passant – such comments are shown in smaller, grey type, as here, and can be skipped by beginners.]
A hanafuda pack consists of twelve suits, each of four cards, so 48 (=12x4) cards in total. (The standard Western "poker" deck, by contrast, has four suits, each of thirteen cards (4x13=52 cards total)). In hanafuda, each suit corresponds to a month of the year (hence the twelve suits). Each set of four cards indicates their suit/month by showing a drawing of a plant or flower significant in Japan in that month. For example, February is represented by plum blossom as that is when this blossom first flowers. Pictured right (or above-right) is a complete set of cards on a grid, shown with each suit in a separate row (January, top, through December, bottom). Specific commentary on each suit is given further down in this article.
Each of the 48 cards also falls into one of four other categories (aside from their suit/month):
Brights (hikari) (sometimes called "lights" or "20-point cards"). Click to toggle these cards on the grid. Cards in this category are generally considered the most valuable. In addition to the flower of the month, as outlined above, the card also depicts a design which features the sky or weather (images of clouds and/or raindrops not withstanding). These cards are: a red-crowned crane and sun (from the January suit), the camp curtain (from March), the full moon (August), the rain man (November), and the phoenix (December).
Animals (tane) (sometimes called "seeds" or "10-point cards"). Click to toggle these cards on the grid. These are: a Japanese warbling white-eye (from February), a lesser cuckoo (April), an eight-plank bridge (May), butterflies (June), a Japanese boar (July), geese (August), a sake cup (September), a sika deer (October), and a barn swallow (November). Note that the animal category also sometimes includes non-animals such as the sake cup and eight-plank bridge. Additionally, the cuckoo card also shows a crescent moon which might wrongly lead one to believe the card is part of the bright group (above)! Korean decks solve this bright-versus-animal confusion by adding a special symbol ( 光 ) to the brights. Aside from this, hanafuda players really just have to knuckle down and learn which of these cards belong to which group.
Ribbons (tanzaku) (sometimes called "5-point cards"). Click to toggle these cards on the grid. This category of ten cards shows ribbons hanging from the trees/plants. This is a custom, from a festival (originally from China) observed every summer, called tanabata which celebrates the reunion of two young lovers represented by the stars Altair and Vega. At this time, people write their wishes for the future on strips of coloured paper and hang them on bamboo trees erected in public places such as shopping centres and railway stations (see picture right).
In a modern hanafuda deck, the ribbons can be plain red (of which there are four); plain blue (three); or be red and include writing/poetry (three). The "blue" ribbons can vary in colour between different designs. Korean decks use a light blue, whereas modern Japanese decks use a purple colour. [Older decks might show the "blue" ribbons almost as black.] Korean decks also usually add writing to the blue ribbons (this writing can be ignored; unlike the case with the two types of red ribbons, any writing on the blue ribbons doesn't make them behave any differently). [Just to confuse things further, occasionally in quite old decks, the "plain" red ribbons also carry writing (i.e. all the red ribbons have writing) – if this is the case, just ignore the writing on the April, May, July and November ribbons, and think of them as plain.]
[Some patterns of hanafuda (usually Japanese, but not usually Korean) show raindrops on the ribbon cards (though never on the November one, for some reason). In some older designs, a sort of cross-hatching may be used to indicate the rain.]
Plains/junk/dregs/chaff (kasu) (sometimes called "1-point cards"). Click to toggle these cards on the grid. The final set of cards (about half of the total) forms the remainder of the pack. These are cards just showing the flower of the month, with no brights, animals or ribbons. The one exception is the lone plain for November, which features a storm scene that ostensibly doesn't show the flower of the month (willow). Again, this is an oddity which just has to be learned.
You'll see from the grid that most months consist of a bright or an animal, then a ribbon and two plains. However, the months of August, November and December buck this trend and have different combinations.
Most games played with hanafuda are of the fishing type and involve forming a large hand consisting of multiple melds of cards from the categories mentioned above (brights, animals, ribbons and plains). Much gameplay (but by no means all) proceeds vaguely as follow... Players try to win cards from an open selection on the table by matching pairs based on their flowers. A player first tries to match a pair with a card drawn from his private hand against one from the table. If he can match, he wins both cards of the pair. If he cannot match, one of his cards joins those in the pool. The player then repeats the process with his card this time being taken from a central face-down draw pile. So, players win cards by matching on the flowers, but then have to form point-scoring melds (called yaku) from their won cards based on various allowed combinations involving brights, animals, ribbons and plains but (generally) not the flowers.
For those wishing to dig further into the games played with the cards, your best bets are probably the books: Hanafuda and Kabufuda for Beginners by Catherine Rogan, or Hanafuda Games by Jason Johnson. Also of interest might be Hanafuda: The Flower Card Game by Japan Publications, though this book contains some ambiguities and, apparently, even a number of out-and-out mistakes. Rule sets may also be found online (use Google), as may various interactive hanafuda games. Nintendo included koi-koi in Clubhouse Games for their DS and Switch consoles.

Types and makes of hanafuda cards currently available and How to buy

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The specifics of the cards are detailed below. Each card can be clicked on to provide a large blow-up.
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January

Japanese umbrella pineJapanese umbrella pineJapanese red-crowned crane
hanafuda card january pine bright light hikari cranehanafuda card january pine ribbon tanzakuhanafuda card january pine plain junk kasuhanafuda card january pine plain junk kasu

The month of January is indicated by Japanese umbrella pine (koyamaki), sometimes genericised as just "pine" (matsu), an evergreen which is one of Japan's five sacred trees. Centuries ago, these trees were at the centre of worship in Kyoto temples and became a part of Buddhist prayers. Legends associated with the trees include the belief that the women who touch the wood will conceive healthy offspring. In some parts of Japan, people set branches of the tree on the graves of their loved ones in order to lead the spirits back to the land of the living.

The bright card shows a Japanese red-crowned crane (tanchōzuru or just tanchō) in front of a red sun (hi or taiyō) (despite the appearance of the crane, this counts as a bright, rather than an animal, card). In mythology, the crane is said to live for 1000 years, and the bird is celebrated on a Japanese banknote and well as in the logo for Japan Airlines. Because of their long lifespan, both the pine and crane are symbols of longevity. The crane is also known for its happiness, mainly due to its spirited mating dance.

The text on the red ribbon (also on that for February) reads "akayoroshi". "Aka" means red, and "yoroshi" is an old-fashioned way of saying a qualified/nearly/almost "good". So the entire phrase can be translated as something like: "Red – not bad!"

The suit additionally includes two plains.

February

Japanese plum blossomJapanese plum blossomJapanese warbling white-eye
hanafuda card february plum blossom animal tane bush warblerhanafuda card february plum blossom ribbon tanzakuhanafuda card february plum blossom plain junk kasuhanafuda card february plum blossom plain junk kasu

The flower for February is Japanese plum blossom (ume). These blossoms are amongst the first to appear on trees (often while there is still snow on the ground) and signify the coming of warmer weather. The fruit (which is actually more of an apricot than a plum) is used in juices, as a flavouring for alcohol, as a pickle and in sauces. It has also seen use in traditional medicine.

There is some disagreement whether the bird on the animal card is a Japanese bush warbler (uguisu – sometimes wrongly translated as "nightingale") or a Japanese warbling white-eye (mejiro). Both are iconic birds in Japan and both are associated with plum blossom, so it is difficult to be sure (though the white-eye is rather greener and more obvious, as per the card, so personally I plump for that). Whatever, it is said that the bird's call is the first sign of the approaching spring. The idiom ume ni uguisu ("warbler in the plum blossom") means "a match made in heaven". This card is the only one in a modern hanafuda deck to have significant amounts of green on it [although the appearance of the bird has been one of the more variable elements across decks].

The red ribbon features the same text as for January.

The suit includes two plains.

March

Japanese cherry blossomJapanese cherry blossomJapanese cherry blossom
hanafuda card march cherry blossom sakura bright light hikari camp curtainhanafuda card march cherry blossom sakura ribbon tanzakuhanafuda card march cherry blossom sakura plain junk kasuhanafuda card march cherry blossom sakura plain junk kasu

The cards for March show red and pink Japanese cherry blossom (sakura). This symbolises the transient nature of life, as the blossom on the trees doesn't last for long and can be easily stripped by winds and then be seen lying in quantities in the gutter. It is also a sign of the imminent arrival of spring.

The bright card is called the "camp curtain" (hanamimaku). This was used as part of a Japanese tradition called hanami where people would gather in groups to view the new blossom that had arrived on trees. Each group would surround itself with a curtain to afford privacy so they could drink sake as they viewed without their neighbours knowing! In modern times these gatherings (now without the curtains) have become rather loud parties. [The curtain itself, especially as depicted on older cards, can show quite a bit of variation.]

The red ribbon in this case references Yoshino, a town in Nara prefecture known for its abundant cherry blossom.

March has two plain cards.

In some decks (often cheaper ones) the pink flowers shown tend to be the same colour as the red flowers – this can lead to confusion with the cards that make up February.

April

Japanese wisteriaJapanese wisterialesser cuckoo
hanafuda card april wisteria animal tane cuckoohanafuda card april wisteria ribbon tanzakuhanafuda card april wisteria plain junk kasuhanafuda card april wisteria plain junk kasu

The flower for April is Japanese wisteria (fuji) which blooms at this time of year and is cultivated in Japanese ornamental gardens and arranged into spectacular cascading displays. Once, wisteria was a popular symbol in family crests and heraldry.

The bird on the animal card is a lesser cuckoo (hototogisu) flying in front of the crescent moon (tsuki). The symbology is taken from a classical story of a samurai called Yorimasa.

The month has a (plain) red ribbon and, once again, contains two plain cards.

Beginners often confuse these April cards for those of July, due to the similarity of the designs. In practice, all the "beads" on these April cards tend to look black (despite wisteria not occurring in a colour as dark as this) whereas the ones on the July cards are in two distinct (lighter) colours. Some confusion also occasionally occurs with the cards for December.

May

Japanese irisJapanese iriseight-plank bridge
hanafuda card may iris animal tane eight plank bridgehanafuda card may iris ribbon tanzakuhanafuda card may iris plain junk kasuhanafuda card may iris plain junk kasu

The plant for this month is the Japanese iris (kakitsubata), which is grown in waterlogged gardens which often feature the below-mentioned eight-plank bridges for access purposes. It is the official flower of Aichi prefecture. The blue of the flowers denotes heroism, referring to "blue" blood and youthful virility. The flower is also displayed as part of Children's Day, a national holiday on May 5th each year, which celebrates the happiness of children.

The "animal" card here features an eight-plank bridge. This traditional style of bridge is popular in Japanese ornamental gardens and is used to cross beds of flowers grown in marshy ground. It is traditionally made of, you've guessed it, eight planks of wood, arranged in a staggered fashion. The style celebrates (and is named after) a legendary bridge called Yatsuhashi Bridge in Mikawa province. The bridge and the iris flowers are referenced in a famous poem from The Tales Of Ise as a traveller yearns for his wife far away at home.

The fact that this card is in the animal card group is a source of mystery and confusion. Korean decks, very wisely, add a special motif to the bright group of cards so they can easily be told apart from the animal group. Beginners should also note the difference between this month's cards and those for December.

The month also has a (plain) red ribbon and contains two plain cards.

June

Japanese tree peonyJapanese tree peony
hanafuda card june peony animal tane butterflieshanafuda card june peony ribbon tanzakuhanafuda card june peony plain junk kasuhanafuda card june peony plain junk kasu

June's cards show a red Japanese tree peony (botan). When depicted in visual art and poetry, tree peonies represent good fortune and prosperity, bravery and honour. They have also been used in traditional medicine.

The animal card shows a peony with two butterflies (chōchō or just chō), which in Japan represent departed spirits.

This month's suit also has a blue ribbon and two plains.

Hanafuda beginners should avoid muddling up this month's cards with those for February.

July

Japanese bush clover lespedezaJapanese bush clover lespedezaJapanese boar
hanafuda card july bush clover lespedeza animal tane boarhanafuda card july bush clover lespedeza ribbon tanzakuhanafuda card july bush clover lespedeza plain junk kasuhanafuda card july bush clover lespedeza plain junk kasu

The flora for July is Japanese bush clover, also known as lespedeza or, in Japanese, hagi. It is associated with melancholy and unrequited love and has been a favourite motif with Japanese poets since time immemorial. It is one of "the seven flowers of autumn".

The strange animal depicted is a young Japanese boar or inoshishi. In Japan, it is widely seen as a fearsome and reckless animal, to the point that several expressions in Japanese referring to recklessness include references to boars. The boar is the last animal of the oriental zodiac, with people born at this time said to embody the boar's traits of determination and impetuosity. Backwoods folk in Japan sometimes name their sons after the animal in tribute to its qualities. Boars are also seen as symbols of fertility and prosperity. They are said to like dozing in the bush clover.

The month also has a (plain) red ribbon and contains two plain cards.

Hanafuda players should take card to avoid mistaking the "beads" on these cards for those on the month of April; the beads here are in two obviously distinct colours.

August

maiden Chinese silvergrass eulalia miscanthus susuki pampas grassmaiden Chinese silvergrass eulalia miscanthus susuki pampas grassswan goose
hanafuda card august silvergrass susuki pampas bright light hikari moonhanafuda card august silvergrass susuki pampas animal tane geesehanafuda card august silvergrass susuki pampas plain junk kasuhanafuda card august silvergrass susuki pampas plain junk kasu

August is represented by maiden (or Chinese) silvergrass, also called eulalia, miscanthus (more specifically, miscanthus senensis), or susuki grass. Sometimes, it is referred to as "pampas grass", but strictly that is a South American term. Traditionally, the grass was used to thatch buildings and for feed for livestock. It is one of "the seven flowers of autumn" (along with bush clover, above) and is said to be best appreciated by viewing under moonlight in the middle of the month.

The moon-over-the-grass card – a bright – is, by far, the most iconic design in the hanafuda pack and is frequently extracted for use on posters, book covers and the like. It is sometimes called "the bald man" or the bōzu. [Older hanafuda designs sometimes also incorporate a second moon motif (or the suggestion of one) into one of the plains of this month.]

The birds on the animal card are geese (gachō), probably intended to be swan geese (hence the reddish heads) which once wintered in Japan.

The suit has two plains.

September

chrysanthemumchrysanthemumsake cup
hanafuda card september chrysanthemum animal tane sake cuphanafuda card september chrysanthemum ribbon tanzakuhanafuda card september chrysanthemum plain junk kasuhanafuda card september chrysanthemum plain junk kasu

This month, it's the turn of chrysanthemum (kiku). The variety shown on the cards would appear to be tomoenishiki or something very close. The chrysanthemum is a symbol of the Japanese emperor and the imperial family and historically some families cultivated it to signal their support with their rulers. It remains a common symbol on traditional Japanese craftwork.

The "animal" card shows a cup for drinking sake (Japanese rice wine) called a sakazuki which is used in a celebration called chōyō, the Chrysanthemum Festival, at this time of the year (it actually falls in October these days, rather than September). The text on the cup is, apparently, a cursive version of 寿 (or kotobuki), the Japanese equivalent of "long life". The dark patch and yellow stuff near the bottom of this card are supposed to be a riverbank and stream (it is shown more clearly on certain other hanafuda designs). This relates to the idea that you will be favoured with a long life if you drink from a stream where the petals of the chrysanthemum fall into the water. Some games use this card as a wildcard or joker (notably koi-koi).

This month's suit has a blue ribbon and two plains.

October

Japanese maple leavesJapanese maple leavesshika deer sika deer
hanafuda card october maple leaves animal tane deerhanafuda card october maple leaves ribbon tanzakuhanafuda card october maple leaves plain junk kasuhanafuda card october maple leaves plain junk kasu

October features the autumnal colours (known as kōyō) of falling Japanese maple leaves (momiji). These symbolise calm, rest and peace. The Japanese (who seem to do a lot of viewings) have maple-leaf viewing too, called momijigari.

The animal card shows a young s(h)ika deer (nihonjika). Because the deer appears to be turning away from somebody, a slang Japanese expression has arisen – shikato – which means to snub a person. The deer are found today throughout the city of Nara and its many parks and temples, as they are considered to be the messengers of the Shinto gods. Nevertheless, populations in some parts of Japan have grown to the point where the animal is now considered a bit of a nuisance.

This month's suit also has a blue ribbon and two plains.

November

willowOno no Michikaze Ono no Tofubarn swallow
hanafuda card november willow rain bright light hikari rain man Michikaze froghanafuda card november willow rain animal tane swallowhanafuda card november willow rain ribbon tanzakuhanafuda card november willow rain plain junk kasu storm lightning gaji

November's suit is a bit strange as it is as much about rain as it is about the plant depicted, which is willow (yanagi – a Japanese word also used for a long, thin-bladed knife thought to resemble one of weeping willow's cascades). The tree is associated with ghosts and spirits. However, the reason for the link with rain is not particularly clear as November in Japan isn't the worst time for rain (that honour belongs to June and July).

On the bright card, the "rain man" with the umbrella is a calligrapher called Ono no Michikaze (aka Ono no Tōfū). Feeling dejected one day after failing to get a promotion in his job, he was inspired by watching the relentless actions of a frog (also on the card) into renewing his efforts and thus becoming one of the most famous calligraphers in Japan. [In some old decks, the rain man seems to be trapped in his umbrella as he runs for cover! In yet other decks, the frog seems to have transmogrified into another animal – sometimes a turtle/tortoise.]

The bird on the animal card is a (very stylised) barn swallow (tsubame), a symbol of good luck, fidelity in marriage, and fertility. It's very common in Japan... with an annoying habit of "doing its business" on anybody who happens to be passing by!

The suit also includes a (plain) red ribbon. If the ribbon cards in a given pack feature rain at all, this ribbon will probably not [though there are old exceptions].

The (sole) plain card for this month is rather different from the other plains. It is called the lightning (inazuma) card or storm card (or gaji in Hawaii where it is most likely to be singled out) and is seemingly the only card in a hanafuda pack which doesn't show its month's flower (so budding players have to explicitly remember which month it comes from). Instead, it depicts an abstract storm scene with rain, and sometimes a giant claw, coming down from the sky to pound on a drum (maybe better seen in this card from an alternative handfuda pattern). [It has been suggested the dark rectangles represent the camp curtain (see March) which has been torn in two by the storm. However, careful examination of old decks show that these modern-day "rectangles" are in fact a strange metamorphosis of a pair of willow cascades. Another interesting fact is that some old hanafuda patterns don't have a lightning card at all and, in these, this month's plain is "vanilla" and unembellished, as per the other months.]

In terms of gameplay, this month's cards often act in atypical ways. For example, in hachi-hachi, the rain man and ribbon often aren't allowed in hands in the way that brights and ribbons usually are. In a game called mushi (aka "honeymoon hanafuda") and in some variants of koi-koi, the lightning card acts as a wild card.

Note that Korean games swap the months of November and December around.

December

paulownia princess tree empress tree foxglove treepaulownia princess tree empress tree foxglove treephoenix
hanafuda card december paulownia bright light hikari phoenixhanafuda card december paulownia plain junk kasuhanafuda card december paulownia plain junk kasuhanafuda card december paulownia plain junk kasu

This month's symbol is paulownia (aka the princess tree, aka empress tree, aka foxglove-tree) known in Japanese as kiri. It is included in several governmental crests and seals in Japan. An old custom is to plant paulownias when a girl is born. The trees mature as she does. When she is ready for marriage, the trees are cut down and carved into wooden articles to be used as gifts for her husband. Upmarket collectors' hanafuda decks, such as those made by Ohisi-Tengudo, are often sold in boxes made of paulownia wood.

The beast on the bright card is a phoenix (hō-ō or fushichō) and was imported from Chinese mythology. It was adopted as a symbol of the imperial household, particularly the empress. This mythical bird represents fire, the sun, justice, obedience, and fidelity. The hō-ō appears very rarely, and only to mark the beginning of a new era. In other traditions, it appears only in peaceful and prosperous times and hides itself when there is trouble. It is said that only the paulownia tree is beautiful enough for the phoenix to perch in.

This month uniquely features three plains. One is always shaded a different colour (usually yellow or red) and features the manufacturer's logo (Nintendo in this case) – it performs a similar role to the ace of spades in Western decks. Some games also distinguish it in play. [Once upon a time, some hanafuda patterns also included a red ribbon in the December suit.]

Note that Korean games swap the months of November and December around. For some reason, they also sometimes (not always) recolour the paulownia flowers to red and yellow. Having said that, real paulownia never occurs in purples as dark as that shown on the Japanese version of the cards. Hanafuda novices should avoid mixing up this month's cards with those of April, May or July.

Korean cards

Korean hanafuda hwatu card Korean hanafuda hwatu card Korean hanafuda hwatu card
Korean hanafuda hwatu joker card Korean hanafuda hwatu joker card Korean hanafuda hwatu joker card
Korean hanafuda hwatu joker card Korean hanafuda hwatu joker card Korean hanafuda hwatu joker card

Games using a hanafuda deck are also played in South Korea (where it is called hwatu and was introduced around 1895) which may be surprising given the historical relationship between that country and Japan. Realising the potential confusion between some of the bright cards and animal cards (some of the brights show animals, and some of the animal cards have sky/weather imagery), the Koreans have added a round motif to the former (containing the character for "bright") so that they can be told apart easily (see the second card, for example).

Korean cards also change some other features from their Japanese ancestors. Apart from the swapping of the November and December flowers mentioned above, the cards are usually plastic, rather than pasteboard or card. They usually have red backs and borders (instead of red or black). The blue ribbons are usually a lighter colour and often feature text (here they inventively say "blue ribbon" – see first card). The iconic August moon-over-the-grass card usually also contains the manufacturer's logo (plonked in the middle of the moon!) – see second card. About half the time, the flowers on the paulownia cards are red and yellow (instead of purple/dark blue) – see third card.

Apart from a few other minor colouring issues, the other main change to the Korean packs is the addition of several jokers (see the final six cards; these are also called "service cards"). In most decks these jokers break the flower concept and reflect completely alien themes (e.g. football). Fortunately the deck shown here (which appears to be by "Garasani" or/and "Dongyang Industries") is one of the few which keeps to the flower idea. Usage of these jokers is optional and their function can vary. There is an explicit joker-powered gaji card (sixth from last). I'm not sure of the function of most of the others shown, but the one fourth from last counts as two plains, for example.

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